Blenard Azizaj is an Albanian dancer and choreographer. With a foundation in contemporary dance, his artistic work delves deeply into themes of social, political, and emotional transformation. Azizaj's choreography often explores powerful subjects such as immigration, belonging, identity, and the in-between states of being.


Born in Albania to parents who were traditional folk dancers, Blenard began dancing from a young age. At eighteen, he moved to Greece and pursued professional dance studies at the National School of Dance in Athens (KSOT), where he graduated with a degree in dance pedagogy and choreography.


Azizaj has collaborated with leading dance companies across Europe, including the Hellenic Dance Company in Athens, Sasha Waltz & Guests in Berlin, Akram Khan Company in London, and Compagnie Linga in Lausanne. His performance credits include Sasha Waltz’s Romeo und Juliette at the Deutsche Oper in 2015, as well as Sacre, Zuhören:Continu, Figure Humaine, and Unruhe in 2016.


His work continues to reflect a commitment to using movement as a language for navigating complex human narratives, creating performances that are both thought-provoking and emotionally resonant.

Blenard Azizaj is an Albanian choreographer, with a foundation in contemporary dance, his artistic work delves deeply into themes of social, political, and emotional transformation. Azizaj's choreography often explores powerful subjects such as immigration, belonging, identity, and the in-between states of being.


Born in Albania to parents who were traditional folk dancers, Blenard began dancing from a young age. At eighteen, he moved to Greece and pursued professional dance studies at the National School of Dance in Athens (KSOT), where he graduated with a degree in dance pedagogy and choreography.


Azizaj has collaborated with leading dance companies across Europe, including the Hellenic Dance Company in Athens, Sasha Waltz & Guests in Berlin, Akram Khan Company in London, and Compagnie Linga in Lausanne. His performance credits include Sasha Waltz’s Romeo und Juliette at the Deutsche Oper in 2015, as well as Sacre, Zuhören:Continu, Figure Humaine, and Unruhe in 2016.


His work continues to reflect a commitment to using movement as a language for navigating complex human narratives, creating performances that are both thought-provoking and emotionally resonant.

Blenard Azizaj is an Albanian choreographer, performer, and dance educator based in Berlin. Working across contemporary dance, theatre, and interdisciplinary performance, he creates physically driven works exploring memory, identity, belonging, and the invisible relationships that connect people. His choreographic practice is grounded in collaboration, with movement developing through research, improvisation, and the lived experiences of performers.


Born in Albania and raised within the country’s folk dance tradition, Blenard Azizaj developed an early understanding of movement as collective memory and cultural transmission, a foundation that remains in dialogue with the contemporary practices shaping his international career.


After graduating from the National State School of Dance in Athens (KSOT), he performed with internationally acclaimed companies including Akram Khan Company (Soloist), Sasha Waltz & Guests, and Compagnie Linga. These collaborations deepened his understanding of movement not simply as technique, but as a way of listening, thinking, and building relationships between bodies, space, music, and emotion.


Over the past decade, as a choreographer he has created original works for theatres, dance companies, festivals, universities, and interdisciplinary institutions across Germany, Switzerland, Austria, the Netherlands, Hungary, Russia, Spain, the UK, and Albania.


His choreographic language is rooted in listening rather than imposing: choreography emerges through trust and the relationships that develop between bodies in space, where precision and instinct, strength and fragility, control and surrender coexist. Rather than telling stories, his work reveals the invisible forces shaping human behaviour, exploring belonging and exclusion, intimacy and distance, freedom and restraint.

Creations

Title

Organisation

Year

No-W-Here

Europe Week Albania

2026

No-W-Here

Europe Week Albania

2026

Balkan Erotic Epic

Marina Abramovic Institute

2025

Balkan Erotic Epic

Marina Abramovic Institute

2025

Balkan Express

Theater Osnabrück

2025

Balkan Express

Theater Osnabrück

2025

TERRA

Area Jeune Ballet

2025

TERRA

Area Jeune Ballet

2025

Ukiyo

Hungary/Germany

2020-2021

Ukiyo

Hungary/Germany

2020-2021

The Great Migration

Volkstheater Rostock

2020

The Great Migration

Volkstheater Rostock

2020

Human

Amsterdam University of the Arts

2018

Human

Amsterdam University of the Arts

2018

In The Beginning

Moscow Stanislavsky Ballet Theatre

2018

In The Beginning

Moscow Stanislavsky Ballet Theatre

2018

Sacred Scars

Voralberg, Austria

2017

Sacred Scars

Voralberg, Austria

2017

Walls

Area Jeune Ballet

2017

Walls

Area Jeune Ballet

2017